The Geiss plugin was downloaded by millions of Winamp fans and proved to be so popular that Nullsoft, the company behind Winamp, hired Ryan to write even more music visualizer plugins, including a much more powerful followup to Geiss called Milkdrop. We can say with confidence quite a few people-author included-listened to a lot of techno in the early 2000s with that as a visual backdrop.
The liquid metal flow and waveform overlay, seen in the screenshot above, was among the various modes Geiss would play in and readily identifiable to fans of the plugin. That same year programmer Ryan Geiss created the eponymous Geiss plugin for Winamp. Geiss 1.0 put Winamp visualizers on the map. Among the first plugins that shipped with the updated version were two input plugins and a music visualizer plugin. At that point, the simple little MP3 player had been redesigned to be a general-purpose audio player that, crucial to our discussion here, now supported plugins.
Where things got more interesting is with the release of Winamp 1.90 in early 1998.
0 kommentar(er)
